Category Archives: Databases

Humanities Data

Two of the most significant benefits to scholarship of creating data from humanities sources are that 1) the data often prompts additional questions and avenues for research about those sources as a result of their new arrangement, and 2) properly cleaned and normalized data can allow for visualizations to aid our understanding of the sources. In terms of new questions that arise as a result of data, the Tudor Network, Fairfax Court Slavery Index and Early African American Film projects drove home the idea of relationships in a way that the original sources alone may not have. One example of how these projects reveal new relational information comes from the African American film data table – the linking of film data to people data allows one to compile a filmography for a particular actor who might have otherwise been lost to history. Because data can also feed into visualization software, these relationships can be visualized in a way that makes these projects more amenable to public view and study.
In each of these three projects, the team of scholars was clear about their methodology to gathering, cleaning and normalizing the data. Hoekstra and Koolen’s article emphasizes this need for methodological transparency regarding data creation, a point that may be obvious for researchers in the social sciences but one that not all humanities scholars may fully appreciate. Posner attributes this to the fact that traditionally humanities scholars have been less interested in the reproducibility of results, in contrast with other fields. In the Fairfax Slavery Index project, for example, the project scholars explain in great detail which types of records they chose to include, how they defined categories related to one’s status as enslaved or free, and even how they chose to notate different currencies. Finally, in addition to the need for disclosure of these modelling methods, Drucker draws attention to the ethical concerns related to data collection and privacy, particularly given that some jurisdictions such as the EU have enacted very strict data privacy laws (26).

Finding Digitized Sources for My Art History Research Project

At this point early in the semester, I am just beginning to form potential questions and avenues of inquiry for my research project, which will likely focus on the self-portraits of German Renaissance artist Albrecht Durer. The preliminary research I’ve done thus far reflects two possibilities for the project: one envisions a more traditional formal analysis of the self-portraits visually enhanced through an online exhibit in Omeka, while the other would involve selecting a corpus of scholarly literature over a specific period of time to develop a picture of historiographic change on the subject with the help of the Voyant text analysis tool.

With this in mind, I’d like to briefly discuss my research efforts and thought process. For the first concept of this project, I used a GMU Library database called ARTSTOR to search the term “Durer self-portrait” for images that could be used for an online exhibit. It’s important to note that most images available on ARTSTOR have copyright restrictions that would prevent one from using the image on a public-facing blog (even one used for primarily educational purposes). But the purpose of ARTSTOR was to search within a scholarly database to identify the specific images that I could then look for elsewhere in a more “copyright friendly” search tool like Google Image. Google gave me the option to search the same images with a public domain filter, giving me results that were usable on my blog.

For this historiography iteration of the project, I started with the Rijksmuseum database (one of the suggested online collection links from my professor) and searched for any texts related to “Durer.” As a primarily image-based collection, I knew that I would not need to use very specific terms to find the limited number of texts available and generate a manageable number of results. With less than 10 results in all, I identified early scholarly writings on Durer. Again, the Rijksmuseum served only as a starting point, since the texts I found were only available for pickup in hard copy at the Rijksmuseum in the Netherlands. But it did allow me to then conduct searches on alternative platforms, in this case, the University of Heidelberg Digital Library. As discussed in Alan Bilansky’s “Search, Reading, and the Rise of Database,” my goal was rapid “strategic reading” of sources at this stage of the project, and the database’s search tool made this task possible. Searching “Durer Selbstporträt 1500” in the University’s digital library (since most results were in German), I was able to quickly assess which digitized books would be appropriate to include in a corpus to feed into Voyant for text analysis.